I this was my absolute favourite work at the Venice Biennale this year.
Richard Mosse's The Enclave was eerie and dreamy and beautiful and fucking disturbing because the violence captured just looked so beautiful.
A friend of mine who has experience with shooting (she grew up in Soviet Russia and learned how to shoot in school) explained that the incongriuity in perspective created by the way the multiple video screens were installed, reminded her of looking down the barrel of a rifle.
Richard Mosse's The Enclave was eerie and dreamy and beautiful and fucking disturbing because the violence captured just looked so beautiful.
A friend of mine who has experience with shooting (she grew up in Soviet Russia and learned how to shoot in school) explained that the incongriuity in perspective created by the way the multiple video screens were installed, reminded her of looking down the barrel of a rifle.
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